Showing posts with label NARAS. Show all posts
Showing posts with label NARAS. Show all posts
Sunday, October 7, 2018
Pepper Adams Doings
© Gary Carner. Copyright Protected. All rights reserved.
I'm very pleased with the way Chapter 4, "Now in Our Lives," is moving along. I'm at 65 pages and currently listening to all of Pepper's music, issued and otherwise, from 1977-1986 to make sense out of it. There so much material, especially cassettes, so it will take me at least another month or two to work through it all. So far, I'm most impressed with an August 24, 1979 gig with Pepper and the great pianist Roger Kellaway done at the Pizza Express in London. As I wrote, "With Adams and Kellaway feeding off of each other, it's a meeting of two colossal intellects, in some way reminiscent of Monk and Coltrane at the Five Spot in 1958." The greatest performances that night were on "Bye, Bye Blackbird," Adams' ballad "Civilization and Its Discontents," a super-fast version of "Oleo," and a zany, incredibly slow version of Thad Jones' out-theme "'Tis." Just remarkable! Woefully, a record producer didn't hear the two of them together and rush them into the studio.
Once I get through and write about all this music, I only have one more section to write before the chapter is finished and I can get it out to my readers. That section will be about why Pepper was so beloved by his colleagues. I'll talk about his work with the National Association of Recording Arts and Sciences (NARAS), his amazing Grammy Awards telecast performance, and other issues. Since there's no more interviews to audition for Chapter 4, the end is in sight.
As for Pepper's materials getting to William Paterson, there's been a delay in delivering the first batch of them. It looks like I won't get them to New Jersey until 2019. I have posted on Instagram a number of documents recently that will be donated to WPU. Check out instagram.com/pepperadamsblog/
I'm very pleased to report that I've begun submitting materials to Rich Falco at Worcester Polytechnic Institute, who oversees the Jazz History Database. See jazzhistorydatabase.com. A Gary Carner Collection is currently being built to digitize much of my materials for posterity. It will be organized in a similar fashion to Gene Perla's collection: jazzhistorydatabase.com/archives/gene-perla/index.php In this way, researchers will only need a computer with an Internet connection to access it. A new batch of stuff goes out tomorrow, including a rare performance of Tommy Flanagan in Korea, 1953, and a Rudy Tucich radio interview with Billy Mitchell. Ultimately, all of my interviews about Pepper Adams will be made available. Please spread the word. Falco is looking to preserve and protect collections throughout the world. Those of you who are sitting on important material should take a good look at this.
In the last few weeks Georgia State University in Atlanta received my entire book and periodical collection as a donation. They took everything except my JazzTimes and Down Beat mags, which I plan to donate elsewhere. A list of the book materials is below. I'll post the periodicals at GSU in next month's post. Have a great October.
Tomorrow, October 8, is Pepper's birthday!
All paperback unless noted.
Ruppli, Michel. Prestige Label HARD
Ruppli, Michel. Savoy Label HARD
Japanese ed: Complete Blue Note Book
Priestley, Brian. Mingus: A Critical Biography. HARD
Hodeir, Andre. Toward Jazz.
Stokes, W. Royal. The Jazz Scene. HARD
Williams, Martin. Changes. HARD
Lee’s, Gene. Waiting for Dizzy. HARD
Young, Al. Kinda of Blue.
Collier, James Lincoln. Duke Ellington. HARD
Kirchner, Bill. A Miles Davis Reader.
Chambers, Jack. Milestones 2. HARD
Lehman, Jan. Miles Davis Discography. HARD
Tucker, Mark. The Early Years of Duke Ellington. (Dissertation)
Jewel, Derek. Duke.
Tucker, Mark. The Duke Ellington Reader. HARD
Gammond, Peter. Duke Ellington.
Jewel, Derek. A Pietrait if Duke Ellington.
Ulanov, Barry. Duke Ellington. HARD
Dance, Stanley. The World of Duke Ellington.
Simosko, Vladimir. Eric Dolphy.
Chilton, John. McKinney’s Music.
Ruppli, Michel. Charles Mingus Discography.
Reinhardt, Uwe. Like a Human Voice.
Stahl, Tilman. Sun Ra Materials.
Nisenson, Eric. ‘Round About Midnight.
McRae, Barry. Miles Davis.
Mosbrook, Joe. Cleveland Jazz History.
Buerkle; Barker. Bourbon Street Black.
Carr, Ian. Music Outside. HARD
Miller, Mark. Jazz in Canada. HARD
Litchfield, Jack. Canadian Jazz Discography. HARD
Zwerin, Mike. Jazz Writings of Boris Vian.
Zwerin, Mike. Jazz Writings of Boris Vian HARD (2nd copy)
Berton, Ralph. Remembering Bix. HARD
George, Don. The Real Duke Ellington HARD
Gammond, Peter. Duke Ellington. HARD
Jones, Max; John Chilton. Louis. HARD
Abersold, Jamie. Charlie Parker Omnibook.
Iwamoto, Shin-Ichi. Hank Jones Discography.
Frohne, Michael. Lee Konitz Discography.
Weir, Bob. Clifford Brown Discography.
Ingram, Adrian. Wes Montgomery.
Gonzales, Babs. Movin on Down the Line
Murray, Albert. Basie Autobiography. HARD
Ellington, Duke. Music is My Mistress. HARD
Pendold, Mike. Louis Armstrong.
Titon, Jeff. Early Downhome Blues.
Walker, Leo. Big Band Almanac.
Longstreet. Stephen. Jazz From A to Z.
Dial, Harry. Autobiography. HARD
Chilton, John. Bob Crosby.
Hentoff, Nat. Jazz Is. Hard
Friedwald, Will. Jazz Singing. HARD
Korall, Burt. Drummin’ Men. HARD
Erlich, Lillian. What Jazz Is All About. HARD
Clayton, Peter; Peter Gammond. 14 Miles on a Clear Night. HARD
Larkin, Philip. All What Jazz.
McRae, Barry. Jazz Handbook. HARD
Cerchiari Luca. Jazz Degli Anni Settanta.
Leonard, Neil. Jazz Myth and Religion. HARD
Pleasants, Henry. Serious Music — and All That Jazz. HARD
Gelly, David. Lester Young. HARD
Freeman, Bud. You Don’t Look Like a Musician. HARD
Voce, Steve. Woody Herman.
Taylor, Arthur. Notes and Tones.
Ogren, Kathy. The Jazz Revolution.
Rusch, Robert. Jazz Talk. HARD
Gioia, Ted. Imperfect Art. HARD
Wilmer, Valerie. Jazz People. HARD
Turner, Frederick. Remembering Song. HARD
Williams, Martin. Where’s the Melody? HARD
Feather, Leonard. From Satchmo to Miles.
Russo, William. Composing for the Jazz Orchestra.
Course, Leslie. Louis’ Children.
Balliett, Whitney. Goodbyes and Other Messages. HARD
Williams, Martin. Jazz in Its Time. HARD
Kirkeby, Ed. Ain’t Misbehavin’
Shacter, James. Piano Man. HARD
Turner, Bruce. Hot Air: Cool Music.
Shaw, Arnold. The Jazz Age. HARD
Jones, Max. Talking Jazz. HARD
Williams, Martin. The Art of Jazz
Lindsay, Martin. Teach Yourself Jazz. HARD
Davis, Francis. Bebop and Nothingness. HARD
Wilmer, Valerie. Mama Said There’d Be Days Like This. HARD
Gourse, Leslie. Story of Joe Williams. HARD
Porter, Lewis. Lester Young. HARD
Hentoff, Nat. Jazz.
Rich, Alan. Simon & Schuster Listener’s Guide to Jazz.
Kaminsky, Max. My Life in Jazz. HARD
Newton, Francis. The Jazz Scene. HARD
Abe, K. Jazz Giants. HARD
Coryell, Julie; Lara Friedman. Jazz-Rock Fusion. HARD
Smith, Willie “The Lion.” Music on My Mind. HARD
Anon. Jazz history in cyrillic.
Headlock, Richard. Jazz Masters of the Twenties. HARD
Rockwell, John. All American Music. HARD
Schiller, Gunther. Musings. HARD
Giddins, Gary. Rhythm-A-Ning. HARD
Hammond, John. On Record. HARD
Blesh, Rudi. Combo USA. HARD
Blesh, Rudi. Shining Trumpets.
Radano, Ronald. New Musical Figurations.
Keepnews, Orrin. The View From Within. HARD
Hartman, Charles. Jazz Text. HARD
Gleason, Ralph J. Celebrating the Duke.
Persip, Charli. How Not to Play the Drums.
Simon, George T. The Big Bands.
Simon, George T. The Big Bands (2nd copy)
Murray, Albert. Stomping the Blues.
Chevigny, Paul. Gigs. HARD
Lyttelton, Humphrey. Jazz. HARD
Lyttelton, Humphrey. Jazz II.
Lyttelton, Humphrey. Jazz II. (2nd copy)
Lyttelton, Humphrey. Jazz II. (3rd copy)
Hodeir, Andre. Jazz: It’s Evolution and Essence.
Hodeir, Andre. Jazz: It’s Evolution and Essence. (2nd copy)
Hentoff, Nat; Albert J. McCarthy. Jazz.
Shapiro, Nat; May Hentoff The Jazz Makers. HARD
Hodeir, Andre. The World of Jazz.
Feather, Leonard; Jack Tracy Laughter from the Hip.
Rogelio, Pauline; Robert Levin. Giants of. Black Music.
Dance, Stanley. The World of Swing.
Feather, Leonard. The Jazz Years.
Sidran, Ben. Black Talk.
Feather, Leonard. From Satchmo to Miles.
Lees, Gene. Meet Me at Jim and Andy’s. HARD.
Budds, Michael. Jazz in the Sixties.
Gitler, Ira. Jazz Masters of the Forties.
Gitler, Ira. Jazz Masters of the Forties. (2d copy)
Goldberg, Joe. Jazz Masters of the Fifties. HARD
Jones, LeRoi. Blues People.
Buchmann-Moller, Frank. ThecStory of Lester Young.
Laubich, Arnold; Ray Spencer. Art Tatum. HARD
Porter, Lewis. Lester Young Reader.
Kofsky, Frank. Black Nationalism and the Revolution in Music.
Williams, Martin. Jazz Masters of New Orleans.
Feather, Leonard. The Pleasures of Jazz.
Jones, LeRoi. Black Music.
Feather, Leonard. Inside Jazz.
Ullman, Michael. Jazz Lives.
Korall, Burt. Drummin’ Men. (2nd copy) HARD
Waters, Benny. The Key to a Jazzy Life.
Sonnier, Austin. Bunk Johnson.
Chilton, John. A Jazz Nursery.
Priestley, Brian. Charlie Parker.
Papo, Alfredo. El Jazz a Catalunya.
Bechet, Sidney. Great It Gentle.
Zinsser, William. Willie and Dwike. HARD
Berendt, Joachim-Ernst. Jazz: A Photo History. HARD
Brask, Ole; Dan Morgenstern. Jazz People. HARD
Baron, Stanley. Benny: King of Swing. HARD
Cerulli, Dom; et al. The Jazz Word.
Cotterell, Roger; Barry Tepperman. Joe Harriott.
Schlouch, Claude. Bud Powell on Record.
Suzuki, Naoki. Herbie Hancock.
Giddins, Gary. Celebrating Bird.
Wild, David; Michael Cuscuna. Ornette Coleman.
Astrup, Arne. Zoot Sims Discography.
Knox, Keith. Jazz Amour Affair.
Delauney, Charles. Django Reinhardt.
Kukla, Barbara. Swing City. HARD
Dance, Stanley. The World of Earl Hines.
White, John. Billie Holiday. HARD
O’Mealy, Robert. Last Day.
Reisner, Robert. Bird.
Calloway, Cab. Of Minnie the Moocher and Me. HARD
Marquis, Donald. In Search of Buddy Bolden. HARD
Bigard, Barney. With Louis and the Duke. HARD
Horricks, Raymond. Stephane Grappelli.
Bookspan, Martin. Andre Previn. HARD
Haskins, Jim. Dinah Washington. HARD
Machlin, Paul. Stride. HARD
Palmer, Richard. Oscar Peterson. HARD
Davis, Francis. History of the Blues. HARD.
Carner, Gary. Miles Davis Companion.
Schafer, William. Brass Bands and New Orleans Jazz.
Barnet, Charlie; Stanley Dance. Those Swinging Years. HARD
Bernhardt, Clyde. I Remember.
Ruttencutter, Helen. Previn. HARD
Hawes, Hampton. Raise Up Off Me.
Page, Drew. Drew’s Blues. HARD
Lees, Gene. Oscar Peterson. HARD
Pepper, Art. Straight Life. HARD
O’Day, Anita. High Times, Hard Times. HARD
Wright, Laurie. King Oliver. HARD
Claghorn, Charles. Biographical Dictionary. HARD
Horn, Paul. Inside Paul Horn. HARD
Meryman, Richard. Louis Armstrong. HARD
Biagioni, Egino. Herb Fleming.
Colin, Sid. Ella. HARD
Jepsen, Jorgen. Dizzy Gillespie.
Armstrong, Louis. My Life in New Orleans.
Clarke, Donald. Wishing on the Moon. HARD
Gilmore. John. Who’s Who of Jazz in Montreal.
Pearson, Nathan. Goin’ to Kansas City. HARD.
Sallis, James. The Guitar in Jazz. HARD
Miller, Mark. Boogie, Pete and the Senator.
Carr, Ian. Keith Jarrett. HARD
Charters, Samuel. Jazz New Orleans.
Davis, Miles; Quicey Troupe. Miles. HARD
Calendar, Red; Elaine Cohen. Unfinished Dream. HARD
Balliett, Whitney. Barney, Bradley and Max. HARD
Reisner, Robert. Bird. HARD (2nd copy)
Crowther, Bruce. Gene Krupa. HARD
Charters, Samuel B; Leonard Feather. History of the New York Scene.
Horricks, Raymond. Gil Evans. HARD
Horricks, Raymond. Dizzy Gillespie. HARD
Dexter, Dave. The Jazz Story.
Allen, Walter C. Hendersonia. HARD
Mezzrow, Mezz. Really the Blues. HARD
Clancy, William; Audree Coke Kenton. Woody Herman. HARD
Zwerin, Mike. Jazz Under the Nazis. HARD
Bisset, Andrew. History of Jazz in Australia.
Herman, Woody; Stuart Troup. Woodchopper’s Ball. HARD
Gillespie, Dizzy; Al Fraser. To Be or Not to Bop. HARD
Brown, Nat; Cyril Brown. Nat Gonella Story. HARD
Freeman, Bud. Crazeology. HARD
Simon, George T. Glenn Miller and His Orchestra. HARD
Balliett, Whitney. Night Creature. HARD
Balliett, Whitney. Night Creature. HARD (2nd copy)
Balliett, Whitney. American Singers.
Balliett, Whitney. New York Notes. HARD
Balliett, Whitney. New York Notes. (2nd copy)
Panassie, Hugues. Louis Armstrong.
Lomax, Alan. Mister Jelly Roll.
Goodman, Benny; Irving Kolodin. The Kingdom of Swing.
Panassie, Hugues; Madeleine Gautier. Guide to Jazz. HARD
de Valk, Jeroen. Chet Baker. HARD
Noglik, Bert. Jazz-Werkstatt. HARD
Holiday, Billie; William Duffy. Lady Sings the Blues.
Spellman, A.B. Four Lives in the Bebop Business.
Britt, Stan. Dexter Gordon
Mingus, Charles. Beneath the Underdog.
Mingus, Charles. Beneath the Underdog (2nd copy)
Chilton, John. Billie’s Blues.
Gonzales, Babs. I, Paid My Dues.
James, Burnett. Coleman Hawkins. HARD
James, Burnett. Billie Holiday. HARD
Mellers, Wilfrid. Music in a New Found Land.
Placksin, Sally. Jazzwomen.
Westerberg, Hans. Boy from New Orleans.
Villetard, Jean-Francois. Coleman Hawkins. Vol I.
Villetard, Jean-Francois. Coleman Hawkins. Vol II.
Jepsen, Jorgen. Miles Davis.
Spellman, A.B. Four Lives in the Bebop Business. (2nd copy)
James, Michael. Dizzy Gillespie.
Balliett, Whitney. Goodbyes and Other Messages.
Litweiler, John. The Freedom Principle. HARD
Chamberlain, Dorothy; Robert Wilson. The Oris Ferguson Reader.
Sjogren, Thorbjorn. Long Tall Dexter.
McPartland, Marian. All in Good Time. HARD
Ramsey, Frederick; Charles Edward Smith. Jazzmen.
Davis, Francis. Outcast. HARD
Harrison, Max. A Jazz Retrospect.
Hentoff, Nat. The Jazz Life. HARD
Davis, Francis. In the Moment.
Hentoff, Nat. Hear Zane Talkin’ to Ya.
Young, Al. Things Ain’t What They Used to Be.
Giddins, Gary. Riding on a Blue Note.
Gordon, Robert. Jazz. HARD
Williams, Martin. Jazz Heritage.
Williams, Martin. Jazz Tradition.
Gitler, Ira. Swing to Bop.
Carr, Peter George Winfield’s Story.
Morgan, Alun. Count Basie. HARD
Ojakaar, Valter. Jazz. HARD
Ulanov, Barry. A History of Jazz in America. HARD
Ostransky, Leroy. Understanding Jazz.
deToledano, Ralph. Frontiers of Jazz. HARD
Martin, Henry. Enjoying Jazz.
Sales, Grover. Jazz.
Stearns, Marshall. The Story of Jazz.
Allen, Daniel. Bibliography of Discographies. HARD
Gridley, Mark. Jazz Styles and Analysis.
Chilton, John. Jazz.
Britt, Stan. The Jazz Guitarists.
Gold, Robert. Jazz Talk.
Balliett, Whitney. American Musicians. HARD
McCarthy, Albert. Big Band Jazz. HARD
Dale, Rodney. Jazz HARD
Keepnews, Orrin. Pictorial History of Jazz. HARD
Krivin, Joan. Jazz Studies.
Gottlieb, William. Golden Age ofJazz. HARD
Stewart, Chuck. Jazz Files.
McCarthy, Albert. Dance Band Era. HARD
Driggs, Frank. Black Beauty, White Heat. HARD
Wilmer, Valerie. Face of Black Music.
Collier, James Lincoln. The Making of Jazz.
Summerfield, Maurice. Jazz Guitar. HARD
Anon. Greek jazz history I
Anon. Greek jazz history II
Sallis, James. Jazz Guitars.
Nisenson, Eric. Open Sky.
Palmer, Richard. Sonny Rollins.
Noal Cohen; Michael Fitzgerald. Rat Race Blues.
Kinkle, Roger. Complete Encyclopedia. HARD
Feather, Leonard. Book of Jazz. HARD
Poindexter, Pony. Pony Express.
Berger, Morroe; et al. Benny Carter Vol I
Berger, Morroe; et al. Benny Carter Vol II
Tirro, Frank. Jazz.
Carner, Gary. Miles Davis Companion (2nd copy)
Thomas, JC. Chasin’ the Trane.
Stearns, Marshall. Story of Jazz.
Lotz, Rainer. AFRS Jubilee I HARD
Lotz, Rainer. AFRS Jubilee II HARD
Condon, Eddie; Hank O’Neal. Eddie Codon Scrapbook. HARD
Copeland, Keith. Creative Coordination.
Schlouch, Claude. Wardell Gray.
Schlouch, Claude. Kenny Dorham.
Anon. Yu-Jazz.
Mehegan. John. Tonal and Rhythmic Principles.
Gridley, Mark. How to Teach Jazz History.
Abersold, Jamey. II-V-I Progression.
Anon. The Real Book.
Erwin, Pee Wee. Teaches You to Play the Trumpet.
Collins, Lee; Mary Collins. Oh, Didn’t He Ramble. HARD.
Vann, Kimberly. Black Music in Ebony.
De Lerma, Dominique-Rene. Black Music and Musicians.
Turi, Gabor. Jazz from Hungary.
Chambers, Jack. Milestones. HARD
Carner, Gary. Pepper Adams’ Joy Road
Carr, Ian. Miles Davis.
Simpkins, C.O. Coltrane.
Clayton, Buck. Clayton’s Jazz World. HARD
Kravetz, Sallie. The Reluctant Jazz Star.
Lateef, Yusef; et al. Writings.
Wattiau, George. Book’s Book.
Monti, Pierre Andre. Booker Little.
Starr, S. Frederick. Red and Hot. HARD
Johnson, Grady. The Five Pennies.
Barker, Danny. A Life in Jazz.
Klinkowitz, Jerome. Listen. HARD
Slovo, Gillian. Morbid Symptoms. HARD
Locke, David. Drum Gahu.
Calling, Patrick. Jazz, Jazz, Jazz.
Guralnick, Peter. Feel Like Going Home.
Charters, Samuel. Legacy of the Blues.
Palmer, Robert. Deep Blues. HARD
Albertson, Chris. Bessie.
Sawyer, Charles. Arrival of B.B. King. HARD
Breton, Marcela. Hot and Cool.
Kroeze, Hans. International Jazz Festival.
Bernstein, Leonard. The Unanswered Question.
Hinton, Milt. Bass Line. HARD
Litwak, Howard. Goin’ to Kansa City.
Mazur, Mladen. 10th Zagreb Jazz Fair.
Walrath, Jack. Book 1.
Lerner, Edward. Study Scores.
Holoman, D. Kern. Writing About Music.
Solomon, Maynard. Beethoven.
Sollors, Werner. Beyond Ethnicity.
Marshall, Robert. Mozart Speaks.
Barlow and Morgenstern. Dictionary of Musical Themes.
Cowell, Henry. Charles Ives.
Robertson, Alec. Pelican History if Music.
Poling, James. Squire World of Jazz. HARD
Anon. Mozart: Later Symphonies.
Brahms, Johannes. Schubert: Four Symphonies.
Simandl, F. New Method for Double Bass.
Piston, Walter. Harmony. HARD
Reid, Rufus. Evolving Bassist.
Duckles, Vincent. Music Reference and Research Materials. HARD
Persicjetti, Vincent. Twentieth Century Harmony. HARD
Titon, Jeff. Worlds of Music. HARD
Shostakovich, Dimitri. Testimony. HARD
Crofton, Ian; Donald Fraser. Dictionary of Musical Quotations.
Kamien, Roger. Norton Scores.
Thomson, Elizabeth; David Gutman. Lennon Companion.
Gillies, Malcolm. Bartok Remembered.
Lipsitz, George. Time Passages.
Lambert, Constant. Music Ho!
Feinstein, Elaine. Bessie Smith.
Morris, Edmund. Beethoven. HARD.
Nettl, Bruno. Theory and Method in Ethnomusicology. HARD
Baker, Houston. Blues.
Feld, Steven. Sound and Sentiment.
Cage, John. Silence.
Stevens, Halsey. Life and Music of Bella Bartok.
Kennedy, Michael. Mahler.
Anon, Index to Negro Spirituals.
Wild, David. Recordings of John Coltrane.
Schiff. Ronnie. Jazz, Blues, Boogie & Swing for Piano.
Silverman, Jerry. Chords and Tunings.
Glover, Tony. Blues Harp.
Ake, David. Jazz Cultures.
Ake, David; et al. Jazz/Not Jazz. HARD
Ake, David. Jazz Matters. HARD
Duckles, Vincent. Music Reference and Research Materials. HARD
Amram, David. Vibrations. HARD
Gilmore, John. Swinging in Paradise.
Dance, Stanley. The World of Count Basie
Segall, Michael. The Devil’s Horn.
Wilber, Bob. Music Was Never Enough. HARD
Gordon, Max. Live at the Lvilkage Vanguard. HARD
Balliett,Whitney. Barney, Bradley and Max. HARD
Floyd, Samuel. Black Music in the Harlem Renaissance.
Rosenthal, David. Hard Bop. HARD.
Leitch, Peter. Off the Books.
Holladay, Doc. Life, on the Fence.
LaPorta, John. Developing the Stage Band.
Smith, Chris. The View From the Back of the Band. HARD
Labels:
Coltrane,
Five Spot,
GSU,
Jazz History Database,
Monk,
NARAS,
Pepper Adams,
Rich Falco,
Roger Kellaway,
Rudy Tucich,
Thad Jones,
Tommy Flanagan,
WPI,
WPU
Sunday, December 3, 2017
Bird and Herbie
© Gary Carner. Copyright Protected. All rights reserved.
I hope everyone had a wonderful Thanksgiving holiday and that you are anticipating a great Christmas season and new year. In the last few weeks one of my readers suggested that I open my Pepper Adams biography with the story of when Pepper heard Bird at Detroit's Mirror Ballroom in 1949. I end the opening section of Ch 1 with it, in a way building to it. He felt that, because it's about Bird, it would create far greater interest among readers than what I have now. Back to the drawing board, as they say.
I've been rereading the very fine biographical primer The Biographer's Art, written by Milton Lomask. One of the things he recommends is for an author to conceive of an ending well in advance, then work your way there as a destination. I'm toying with ending my biography with Pepper's appearance on the Grammy Awards telecast. It seems to me that the way the New York chapter of NARAS rallied behind Pepper when his appearance on the show was threatened with cancellation is a metaphor for much that occurred in New York when Adams got ill. Maybe I don't need to worry that much about the ending? The way the book is set up, the second section of the book (analysis) follows mine. Is it perhaps more appropriate to have John Vana's work summarize the entire book?
Over the last few weeks I also came across this great piece about Herbie Hancock: https://onmilwaukee.com/music/articles/herbie-hancock-curros-milwaukee.html#_
Hancock discusses how he joined the ByrdAdams Quintet. Here's his only mention of Pepper:
"In December of 1960, a couple of months after the Coleman Hawkins gig, I got a call from John Cort, the owner of the Birdhouse, a small club in a second-floor walkup on Dearborn Street, on the North Side. ‘Donald Byrd and Pepper Adams are playing in Milwaukee this weekend,’ he told me. ‘You want to play with them?’ "‘Are you kidding?’ I said. ‘Yeah, I want to play with them!’ I couldn’t believe it – I’d just been invited to gig with one of the best jazz trumpeters around. Donald Byrd was a veteran of Art Blakey’s Jazz Messengers, and he’d earned a master’s degree at the Manhattan School of Music. He’d performed with many of the jazz greats over the years, including John Coltrane and Thelonious Monk, and in 1958 he’d started a quintet with the baritone saxophonist Pepper Adams. That was the group I was being invited to play with."
This piece is the most in-depth one I've read about Hancock and his "discovery" by Donald Byrd. It turns out that John Cort deserves much of the credit for recommending Hancock to Byrd.
One thing that has always surprised me is how little Pepper Adams is mentioned by Hancock over the years. I know that Byrd is the one who met with Hancock's mother and assured her that young Herbie would be fine living with Byrd in New York once the band left Chicago. With that in mind, it seems likely that Pepper didn't have the same degree of responsibility for Hancock as Byrd. Still, you would think that Herbie would have absorbed some influences from Adams, perhaps his harmonic usage? It sure would be fascinating to know what kind of conversations the two of them had during the year that Herbie was in the Byrd-Adams Quintet.
I hope everyone had a wonderful Thanksgiving holiday and that you are anticipating a great Christmas season and new year. In the last few weeks one of my readers suggested that I open my Pepper Adams biography with the story of when Pepper heard Bird at Detroit's Mirror Ballroom in 1949. I end the opening section of Ch 1 with it, in a way building to it. He felt that, because it's about Bird, it would create far greater interest among readers than what I have now. Back to the drawing board, as they say.
I've been rereading the very fine biographical primer The Biographer's Art, written by Milton Lomask. One of the things he recommends is for an author to conceive of an ending well in advance, then work your way there as a destination. I'm toying with ending my biography with Pepper's appearance on the Grammy Awards telecast. It seems to me that the way the New York chapter of NARAS rallied behind Pepper when his appearance on the show was threatened with cancellation is a metaphor for much that occurred in New York when Adams got ill. Maybe I don't need to worry that much about the ending? The way the book is set up, the second section of the book (analysis) follows mine. Is it perhaps more appropriate to have John Vana's work summarize the entire book?
Over the last few weeks I also came across this great piece about Herbie Hancock: https://onmilwaukee.com/music/articles/herbie-hancock-curros-milwaukee.html#_
Hancock discusses how he joined the ByrdAdams Quintet. Here's his only mention of Pepper:
"In December of 1960, a couple of months after the Coleman Hawkins gig, I got a call from John Cort, the owner of the Birdhouse, a small club in a second-floor walkup on Dearborn Street, on the North Side. ‘Donald Byrd and Pepper Adams are playing in Milwaukee this weekend,’ he told me. ‘You want to play with them?’ "‘Are you kidding?’ I said. ‘Yeah, I want to play with them!’ I couldn’t believe it – I’d just been invited to gig with one of the best jazz trumpeters around. Donald Byrd was a veteran of Art Blakey’s Jazz Messengers, and he’d earned a master’s degree at the Manhattan School of Music. He’d performed with many of the jazz greats over the years, including John Coltrane and Thelonious Monk, and in 1958 he’d started a quintet with the baritone saxophonist Pepper Adams. That was the group I was being invited to play with."
This piece is the most in-depth one I've read about Hancock and his "discovery" by Donald Byrd. It turns out that John Cort deserves much of the credit for recommending Hancock to Byrd.
One thing that has always surprised me is how little Pepper Adams is mentioned by Hancock over the years. I know that Byrd is the one who met with Hancock's mother and assured her that young Herbie would be fine living with Byrd in New York once the band left Chicago. With that in mind, it seems likely that Pepper didn't have the same degree of responsibility for Hancock as Byrd. Still, you would think that Herbie would have absorbed some influences from Adams, perhaps his harmonic usage? It sure would be fascinating to know what kind of conversations the two of them had during the year that Herbie was in the Byrd-Adams Quintet.
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