Genealogical Breakthroughs and Other Ephemera

© Gary Carner. Copyright Protected. All rights reserved

What did the week bring about regarding Pepper Adams? Two significant developments and another possible one. First, was the receipt of an audience tape from Dave Schiff. It's a performance from June 21, 1974 of Pepper with Roland Hanna and several students at the Wilmington Music School in Wilmington, Delaware. (Another CD, from either 1968 or 1969 with Thad Jones, is forthcoming!) Adams and Hanna perform Thad Jones' "Quiet Lady" and Adams' "Civilization and Its Discontents" in a quartet and quintet format respectively to begin the concert. This is the only known time that Adams and Hanna performed these tunes apart from their recording of them on Adams' masterpiece LP, Ephemera, recorded the year before. "Civ" also has Schiff playing the melody on flute, which I believe was unknowingly a dry run for the Bill Perkins recording of the tune four years later. 

Two other tunes on the audience tape, "Straight, No Chaser" and "Royal Garden Blues," follow more of a jam session format, giving some the Camp's students a chance to show what they learned that week. It's possible that trombonist Wayne Andre was on the faculty and on the recording. I'll need to listen again, but not in my car, so I can finally make sense of some of these things.

I also had a email conversation with Schiff this week regarding his recording of "Civ" and my plans for the CD reissue of Ephemera. It turns out that Schiff recorded "Civ" as a tribute to Pepper, not knowing the title of the tune. His rendition will be added to pepperadams.com soon so you can hear his arrangement. 

As for the reissue, an engineer friend of mine in Los Angeles, Jim Merod, is about to do post-mastering work on the date to try to improve the sound of the piano and to increase the volume of Mel Lewis' drums-- especially his brushwork on "Quiet Lady," that remains virtually inaudible. For his part, Schiff is also considering whether he can produce the reissue on his label. We may decide to do a modest Kickstarter campaign to pay for the first round of CDs. I hope we can rely on you, my faithful readers, to help with this project. Although Ephemera is one of Pepper's greatest recorded achievements, it's never been issued on CD!

Otherwise, I've been working with Jocelyn Ireland, a librarian in Utica, New York, and a genealogist colleague of hers, Keith Gerland, to try to make some sense out of the allegation that Pepper lived in Utica from the Summer of 1935 until the Summer of 1937. I was first given an anonymous tip about it in an unsigned email. (Who was that "masked man?") So far, however, nothing has turned up in the 1935 Utica city directory or any census information. I'm awaiting word as to whether there were 1936 or 1937 directories for Utica and if anything turns up. 

This from Ireland: "You mentioned doing a search for the family in Rome. We don't have any of their directories but I think Ancestry.com may have some digitized. I'll have to check if they have Rome, NY around 1933-34. There is also the possibility the family stayed with Park F. Adams' parents in Oriskany, NY. I believe Oriskany may have been listed in Utica City Directories in the 1930s -- another thing I'll have to check. . . . I will check if there was any Adams in Oriskany, NY and if Rome's directory is on Ancestry.com."

Jocelyn has been great thus far. From what I gather, Pepper Adams and his mother moved to Rome in the Summer of 1934 to reunify with Pepper's father after a three-year separation due to the lack of work during the worst of the Great Depression. They lived in Rome at 806 Jerris or Jervis Avenue from that summer until the Christmas holiday, when they moved to Rochester. They may have lived briefly in Oriskany with family, a small town between Rome and Utica, while searching for a place to live.

Jocelyn also found these links for grave sites, two with obituary information:

Grave and obituary of Pepper's father, Park Frederick Adams:
http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&GRid=12500616&ref=acom

Birth:  1898 Rome Oneida County New York, USA Death:  May 19, 1940 Rochester Monroe County New York, USA Utica Daily Press 1940 Park Adams, 44, a native of Rome, died May 19, 1940 of a heart attack in his home in Rochester. He was born in Rome, son of the late Nathaniel and Frances Adams. He married Cleo Coyle in Detroit, Michigan. He had lived in Rochester four years, where he was a manufacturer's representative. He went to Rochester from Detroit. He was a member of the Christian Science Church in Rochester, the Masonic Lodge and Knights of Templar in Detroit. He leaves a daughter, Mrs. George Gifford, Rochester, a son, Park Adams Jr., Rochester, three sisters, Mrs. Fred Weaver and Mrs. Roy Johnson, both of Los Angeles, and Mrs. Rita Head, Oriskany, and a grandchild. The funeral will be conducted in Rochester tomorrow with burial in New Union Cemetery in Verona Mills Family links:  Parents:   Nathaniel Qunicy Adams (1858 - 1929)   Frances Cleveland Adams (1863 - 1940) Burial: New Union Cemetery Verona Oneida County New York, USA

Added by: Bea Lastowicka Cemetery Photo Added by: Tombstone Hunter   Photos may be scaled. Click on image for full size. REPOSE EN PAIX! - quebecoise  Added: Oct. 9, 2006

Grave and obituary of Pepper's paternal grandmother, Frances Cleveland Adams:
http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&GRid=12500616&ref=acom

Birth:	1863 Mohawk Herkimer County New York, USA
Death:	Jan. 26, 1940 Los Angeles Los Angeles County California, USA
Rome Sentinel January 27, 1940 Mrs. Frances Cleveland Adams, widow of Nathaniel Quicny Adams, a former resident of Rome and Oriskany, died Friday at a hospital in Los Angeles, California. She had gone to California a year ago last November to make her home with her daughters. She was born in Mohawk, a daughter of Abel B. and Abbie J. Cleveland. About 62 years ago she was married to Mr. Adams who died about 10 years ago. Her married life was spent in New London, Churchville and Rome before coming to Oriskany 25 years ago. For a number of years, the Adams operated the Temperance Hotel, S. James St., Rome. Mrs. Adams was a member of First Methodist Church, Rome, and later of Waterbury Memorial Presbyterian Church, Oriskany. She was a member of Queen Esther Rebekah Lodge, Rome. She was also a member of the Maccabees and served through the offices, the organization later becoming the Women's Benefit Association. She was also a member of Oriskany Chapter 524, OES and had served as chaplain and in other offices. Survivors are three daughters, Mrs. Fred R. Weaver and Mrs. Roy H. Johnston, both of West Los Angeles, California, and Mrs. Rita Head or Oriskany, a sister, Mrs. Emma Callahan, Rome, seven grandchildren, including Francis Head, Rome and Mrs. Lee Kite, Lowell, and five great-grandchildren.

Grave of Pepper's mother, Cleo Coyle Adams:
http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&GRid=27629332&ref=acom

Birth:  1899 Death:  1971 Burial: South Park Cemetery Columbia City Whitley County Indiana, USA Plot: 2-26-1 Created by: Jim Cox Record added: Jun 17, 2008 Find A Grave Memorial# 27629332

Added by: Just Dave Cemetery Photo Added by: vcrusaderfan   Photos may be scaled. Click on image for full size.

Obviously, I now have a whole new world of research to pursue regarding Pepper's ancestors. I'll let you know of my progress. I did do a search regarding the Coyles. So far, it seems that Pepper's mother is the only child of Charles (1869-1916) and Minnie B Coyle (1872-1941). I'm trying to determine if/how Eloise Coyle was related. She lived in Columbia City, Indiana (in Whitley County) in 1935 (just after Adams and his mother left for New York), and was married, as of the 1940 U.S. Census, to Carl Banning (born c. 1920). Her age makes her a possible first-cousin.

Pepper and Fish

© Gary Carner. Copyright Protected. All rights reserved.

My interview last Sunday with Delaware tenor saxophonist Dave Schiff was absolutely groundbreaking! Much of it will be included in my forthcoming Pepper Adams biography because Schiff goes into great detail about Pepper's approach to playing. Apart from Curtis Fuller and others that Pepper may have mentored in Detroit, it turns out that Schiff was very likely Pepper's only student after Pepper moved to New York at age 29. How Schiff knows so much about Pepper is that his memory is razor-sharp about many of the important things that Pepper taught him when he was an aspiring teenage saxophonist.

Schiff was fifteen when Pepper, Thad Jones, Roland Hanna, Tom McIntosh and a few other top New York-based jazz musicians came to Wilmington, Delaware, beginning in 1968, to do five-day workshops with young students from the area. Pepper was an instructor at the Wilmington Music School each June from 1968 to 1970, then again one last time in 1974. At the School, directed by Schiff's father, Hal Schiff, Pepper had a chance to work with small ensembles and individually with students. Some were very promising inner-city students who couldn't afford tuition. For them, Schiff's father arranged scholarship money, underwritten by the Dupont and Hercules corporations. Dave Schiff was one of the lucky students who studied individually with Pepper.

One year, in the late '60s, after Pepper finished teaching at the Wilmington Music School, he invited Dave Schiff (whom he regarded as a very promising instrumentalist) to New York to study with him for a day. By then, according to Schiff, he had become quite close with Pepper. Schiff and his dad (also a tenor player) took the train early on a Monday morning from Wilmington and were greeted by Pepper at either Penn or Grand Central Station. Pepper assured Hal that he would look after him and all would be fine. Hal went home on the train. Pepper and Dave went back to Pepper's one-bedroom apartment at 84 Jane Street, and they studied together for much of the day. 

That night Pepper brought Dave with him to the Village Vanguard, ostensibly to hear the band. Pepper told Schiff to bring his horn. For the last tune of the last set Pepper asked Schiff to sit in on Back Bone. Schiff was petrified, but Pepper assured him it would be OK. Schiff would only play two choruses after Pepper's solo, he'd first sit next to Pepper on the bandstand and play the chart with him, and he'd do fine. Schiff already knew Thad from his Wilmington experience, but that hardly calmed his nerves. Schiff told me, "I was so scared I thought I was going to vomit." Before they played the tune, Pepper introduced Schiff to Jerry Dodgion, who, as always, was very warm and welcoming. "Very nice meeting you," said Dodgion to Schiff. "I'm looking forward to hearing you play." As it turned out, Schiff got through the experience. Another challenge for the young player was overcome and Pepper's lesson was learned. That is, always play when you're invited.

Schiff, nicknamed "Fish" by Pepper, thought he might move to New York and become a professional musician. He certainly had an important ally in Pepper, he thought, and he would seek out other players his own age and develop that way. But the Vietnam War changed his plans. His father, worried that his son would be drafted and would have to fight overseas, got his son enlisted in the Navy Band in 1972. 

Not entirely unlike Pepper's Korean War experience, I still don't know if Schiff had a tour of duty or, instead, if he stayed mostly at the base at Annapolis, Maryland. Schiff did stay with the Navy's Commodores band for about 20 years and later was also a member of Bill Potts' Big Band that had a long residency two weeks a month at Blues Alley in Washington, D.C. Interestingly, Schiff was in Potts' band on 11 October 1979, the night Pepper came in, as a guest soloist, at Frankie Condon's Supper Club in Rockville Maryland. Schiff made corrections to that entry in Pepper Adams' Joy Road (pages 384-85). The changes will be posted in the next few months at "Discographical Updates" at pepperadams.com.

Obviously, I look forward to transcribing the Schiff interview and following up. Schiff was the first person to describe the inside of Pepper's apartment on Jane Street. Most importantly, of course, was Schiff's extremely important observations about Pepper's approach to playing. Although I've done more than 100 interviews, no one has presented these kinds of insights. 

Why "Fish?" Pepper was a voracious crossword puzzle enthusiast. When Pepper was dying at home, he passed the time doing New York Times crossword puzzles and reading the Flashman Papers, a series of twelve novels written by George MacDonald Fraser. Moreover, as Curtis Fuller put it about Pepper's playing, "Pepper was a speller." My theory is that Pepper heard "Schiff" and amused himself by reversing Schiff's surname as a kind of pseudo- reverse homonym.

So far, I only know of two other summer music camps for whom Pepper taught. One was the National Band Camps, based at Millikin University in Decatur IL and the University of Connecticut in Stoors CT. As such, he was in the forefront of jazz education in the U.S. He enjoyed working with young players, and I understand the compensation for clinicians was quite good. Additionally, Adams enjoyed doing college workshops, where the pay was even better. Two such programs he did late in life were at Eastman in March, 1978 and the University of North Texas in November, 1982. At one National Band Camps residency, one of his young students was Boston-based guitarist Jon Wheatley. In the Eastman jazz program was pianist Dave Loeb (see Joy Road, page 324 and "Discographical Updates.") At UNT was tenor saxophonist Chip McNeill.

About Pepper's disinterest in having private students, I think Pepper really prized his time alone, reading fiction, listening to Ellington and classical music, and nurturing his other hobbies, such as reading about fine art or watching sports on televsion, particularly football and hockey. For the most part, Pepper was busy enough to support himself by playing, and his mother's inheritance allowed him a measure of comfort. He bought his house in Canarsie with cash from her estate, acquired some furniture (his dad's kitchen table, mom's spinet, etc), and he freed up the rent money that he was paying for his flat in Greenwich Village. 

The only other time I know of that Pepper had a private student was when he was already quite ill with cancer. Montreal-based baritone saxophonist Charles Papasoff got a grant from the Province of Quebec to study with Pepper. Unlike with Schiff, the situation was quite different. Pepper needed the subsidy because his medical benefits were dwindling and, with his cancer treatments, he wasn't able to work as much as he needed to support himself. Although I interviewed Papasoff years ago, I don't recall the nature of their interaction. That's just one of many interviews I need to review. I do know they became friends. I can't imagine Papasoff not asking Pepper a million questions about technique and his life in jazz but my recollection is that he and Pepper mostly hung out, and Pepper might not have even pulled out his instrument. Papasoff did help Pepper on his last visit to Montreal--a very poignant experience for all. Check out pages 505-507 of Joy Road regarding Adams' very last performance, with Papasoff and Denny Christianson's commentary.

                                            (Dave Schiff)

Thad, Etc.

© Gary Carner. Copyright Protected. All rights reserved.

Here's a really nice note I received this week, completely out of the blue:

Hi, my name is Dave Schiff. My father had a jazz workshop in Wilmington, Delaware that he put together in the late 1960s to the mid '70s. In the early years he had many of the members of the Thad Jones-Mel Lewis Orchestra come down and work with the students (including myself) for a week. Pepper Adams and I became pretty close friends during that time. I had the opportunity to study with him and hang out with him. I have some cassette tapes of some of the clinic concerts with Pepper Adams performing. They are some of my most cherished things. I am in the middle of reading your book and find myself hearing his voice as I am reading the quotes of his. I would be interested in sharing the tapes if you would be interested. Pepper was a great influence in my playing and a good friend. Thank you for your time and consideration, and, most of all, bringing attention to this wonderful musician and human being.
Dave Schiff

Of course, when someone like that reaches out for me, I follow up. I'll be speaking with Schiff tomorrow by phone. I've already learned that at least one tape exists of Pepper with Roland Hanna, Wayne Andre and a few student musicians. (See photo below.) Schiff is looking for other tapes. I also asked if he knew whether Pepper taught at his dad's Wilmington Music School in 1971, 1972 and 1973. So far, there's no record of it in Pepper's materials. Also, Schiff's father was responsible for producing Thad-Mel at The Playhouse in Wilmington, 1967. I'm trying to see if that was recorded.

Speaking of Thad Jones, this week I posted a large update to the Thaddeus chronology (1965-1977) at pepperadams.com. The thrust of my research was to identify those tunes in Thad-Mel's baritone book in which Pepper would have been asked to play either clarinet or bass clarinet parts. I was motivated by the recent YouTube video posting of Central Park North (1969). Pepper is seen playing clarinet in one part of the performance. 

Here's a link to the new section of the pepperadams.com chronology and the link to the video of Three and One from the same 1969 concert as Central Park North, with dazzling solos by Thad and Pepper:

http://www.pepperadams.com/Chronology/Thaddeus.pdf

https://m.youtube.com/watch?v=WaCfDeZJPIU

While working my way through YouTube today I discovered a few videos of the band that are new to me. First, is a performance of Thad-Mel in Nice, at the picturesque setting of Les Jardin des Arenes de Cimiez. Recorded by RF TV on 15 July 1977, what a magnificent television production of the band!; clearly the finest video quality of any film that exists of the band to date. Tunes: Evol Deklaw Ni, It Only Happens Every Time, 61st and Richard, and Ambiance.

The second video is this dazzling vocal chart by Thad Jones, Route 66: 

https://m.youtube.com/watch?list=PLxyax9Wgh_JwhNJR10yDsuCRrZitkm3VI&v=ECv8fQcA0Pw. 

Can you believe how harmonically adventurous it is? It was recorded in Denmark in very late July or early August, 1977, Pepper's last tour with the band.

While we're on the topic of vocal charts--often overlooked in Thad's oeuvre--check out this brilliant performance by Dee Dee Bridgewater and the band doing Bye Bye Blackbird from a TV brodcast from Tokyo on 26 February 1974:

https://m.youtube.com/watch?list=PLxyax9Wgh_JwhNJR10yDsuCRrZitkm3VI&v=R31s5We3JmQ

Also discovered today on YouTube are three performances by the band at Montreux on 5 July 1974:

Once Around: https://m.youtube.com/watch?list=PLxyax9Wgh_JwhNJR10yDsuCRrZitkm3VI&v=0Sgm7G8yzyE

I Love You: https://m.youtube.com/watch?list=PLxyax9Wgh_JwhNJR10yDsuCRrZitkm3VI&v=Ylt8g4dlfOk 

Blues in a Minute: https://m.youtube.com/watch?list=PLxyax9Wgh_JwhNJR10yDsuCRrZitkm3VI&v=QNL4FTPjyjA 

Sorry if they're not showing up as links. I'm still struggling with that. Please paste them into your browser and enjoy. They'll also be included in the next update of "Thaddeus."

                       Photo (c) Dave Schiff, 20 June 1974. Left to right: Roland Hanna p; Don

                     Schiff b; Wayne Andre tb; Dave Schiff ts; unknown dm; Pepper Adams bs.