Saturday, April 28, 2012
Pepper Big Band Charts
Monday, April 23, 2012
Pre-Ordering Pepper Adams' Joy Road: An Annotated Discography
© Gary Carner. Copyright Protected. All rights reserved.
Saturday, April 21, 2012
Pepper Adams Symposium in Worcester
© Gary Carner. Copyright Protected. All rights reserved.
Monday, April 16, 2012
Soka University Program, 19 October 2012
© Gary Carner. Copyright Protected. All rights reserved.
DALE FIELDER TRIBUTE QUINTET
“The Music of Donald Byrd and Pepper Adams”
Soka Performing Art Center, Alisa Viejo, CA October 19, 2012
Dale Fielder-baritone sax / Nolan Shaheed-trumpet /
Jane Getz-piano / Trevor Ware-bass / Don Littleton-drums
Introduction & Remarks by Gary Carner
Part I: The Music of Pepper Adams
1. Dylan’s Delight
2. Patrice (Quartet.)
3. Wives And Lover’s
4. Apothegm (Quartet.)
5. Libeccio
6. Claudette’s Way
7. Ephemera (Quartet.)
8. Excerent
Part II: The Music of the Donald Byrd/Pepper Adams Quintet 1958-1961
1. Out of This World
2. Jeannine
3. Here Am I
4. Each Time I Think of You
5. Birdhouse
6. Jorgie’s
7. Mr. Lucky
Friday, April 13, 2012
Dale Fielder to Play Soka Performing Arts Center
© Gary Carner. Copyright Protected. All rights reserved.
As part of Pepper Adams Week in Los Angeles, Dale Fielder's Quintet has been invited to perform the compositions of Pepper Adams at the prestigious Soka University's Performing Arts Center in Aliso Viejo on Friday night, October 19, 2012. This 1,000 seat, LEED certified facility is known and admired for its superb acoustics and in-the-round setting. During a handful of performances that week at differing venues, Fielder will be the first musician to ever play the entire cycle of all 43 Adams compositions.
Tuesday, April 10, 2012
Pepper Adams Week in Los Angeles
© Gary Carner. Copyright Protected. All rights reserved.
Monday, March 19, 2012
Dan Morgenstern's Foreword to Pepper Adams' Joy Road
© Gary Carner. Copyright Protected. All rights reserved.
While correct, "Annotated Discography" by no means says all about this fascinating record of a great musician's career and life. For decades, Gary Carner has
devoted himself to tracing every musical step by Pepper Adams, from the very first teenaged endeavor, captured by a recording device, professional or amateur,
issued or not. And he has enhanced the carefully gathered discographical details with additional information, musical, technical and personal, about the performance circumstances, more often than not obtained from participants and observers, as well as from interviews, published and personal, with the man himself.
Quite a man, too--not only one of the outstanding practitioners of the baritone saxophone, but a brilliant, complicated guy, whom I had the distinct pleasure of knowing.
If there is a subtext here, it would be the fact that Pepper was the only white musician in the "Detroit Invasion" that descended upon the New York jazz scene in the late
1950s, accepted as a "primus inter pares" by his black colleagues--and friends. Early on, you will find an amusing anecdote about Alfred Lion's first reaction to Pepper's
music: the founder of Blue Note Records refused to believe that the player on the demo tape the young baritonist had submitted was not black, going so far as to calling him a liar. Pepper would of course go on to participate in many a Blue Note session--if Lion ever apologized, we'll never know.
Good discographies are certainly very useful tools, but it is highly uncommon for a discography, even an annotated one, to also qualify as a good read. But "Pepper Adams'
Joy Road" most definitely is. It brings the man as well as his music to life. Read--and listen--well!
Dan Morgenstern
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